Source: Vogue
Summary
Simone Belotti brought a new aesthetic to the brand’s minimalist style, incorporating grit, grime, and excessive fabric. The collection’s bold look was a departure from the brand’s usual understated approach. According to the designer, the inspiration came from a desire to shake things up. The show featured oversized silhouettes, bold logos, and a mix of textures. The overall effect was a fresh take on the brand’s signature style.
Our Reading
The trend returns with a new name. Philipp Plein’s latest collection is a rehashing of 90s-era logos and silhouettes, with a dash of modern-day excess. The brand’s attempt to revamp its image feels like a re run of past trends. The collection’s use of bold logos and oversized silhouettes is reminiscent of the early 2000s. The “new” look is actually a reworked version of a familiar style.
The excessive fabric and grittiness added a layer of edginess to the collection, but it’s a look we’ve seen before. The brand’s attempt to shake things up feels like a rehashing of past trends.
The Revival of Logomania
The use of bold logos in the collection is a clear nod to the 90s-era logomania trend. The brand’s decision to revive this trend feels like a attempt to tap into the nostalgia of older consumers.
The Oversized Silhouette
The oversized silhouettes in the collection are a reworking of a familiar trend. The look is reminiscent of the early 2000s, when designers like Sean John and Ecko Unltd. popularized the style.
The Mix of Textures
The collection’s use of mixed textures adds a layer of depth to the overall look. However, the combination of different fabrics and materials feels like a familiar trope.
The “New” Look
The brand’s attempt to revamp its image feels like a re run of past trends. The “new” look is actually a reworked version of a familiar style. The excessive fabric and grittiness added a layer of edginess to the collection, but it’s a look we’ve seen before.
